Experimenting with a new visual programming language, Thomas Lisle exports colours into digital liquids that mix and flow with his brush strokes as he experiments with the possibilities that 3D painting offers. It Is What It Is highlights the fleetness of life, the relativity of reality and transformation.

"Because of the way it was made, I could edit every aspect of it. The shape of the brush, the colours of the elements and every part of the stroke after making it. It's a deconstruction of a paint stroke back into liquid paint—a type of reverse painting. It is what it is, and we are what we are, flexible changing, adaptable." Thomas Lisle