Mixing is featured within the innovative Time and Paint Wait for None collection by Thomas Lisle. This artwork captures the interaction between two distinct forms, each characterized by contrasting visual properties, as they converge and integrate into a complex and mesmerizing composition. The interaction highlights a dynamic dance of merging forms, creating a visual dialogue between stability and transformation, and culminating in a richly textured visual experience.

The collection as a whole explores the synergies between digital technology and traditional painting methods. Mixing exemplifies Lisle's experimental approach to digital painting, where the manipulation of virtual brushes and programmed paint behaviors results in artworks that are not only visually stunning but also deeply representative of modern digital capabilities in art.