The piece is asking how we perceive form, meaning, reality, when the materials themselves are unstable. Video as texture, as residue, as flicker. It’s about the act of looking — looking at fragments, distortions, illusions of structure. The work is most ‘digital’ in its nature, flying into an abstract machine, maybe an artificial brain, or a futuristic cityscape in the very far future.

We glimpse what usually hides — the system beneath the image, the rhythms of the machine, the subconscious of the digital. In Glowinight, motion becomes emotion. The colours and pixels flow like memories of the future, bright then broken, slipping between clarity and collapse. This insatiable fluidity is the point.

Meaning emerges, only to fall apart again. Like thoughts. Like dreams. There is violence in the beauty. Little explosions. The screen reshaping itself. What we see is perhaps an alien world — the alienation inside our own perception: our desire for images, our attraction to surfaces, our immersion in imaginary worlds, in past, present, and future.